All the oil paintings of Sir David Wilkie

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ID	Image	Painting(From A to Z)	Details
27884		Blind Man's Buff	1812 Oil on canvas 63.2 x 91.8 cm (25 x 36 1/8 in) Royal Collection (mk63)
28151		Chelsea Pensioners Reading the Gazette of the Battle of Waterloo	1818-22 Oil on canvas 97 x 158 cm (38 1/4 x 621/4in) Wellington Museum Apsley House,London (mk63)
43923		Chelsea Pensioners Reading the Waterloo Dispatch	1818-22 Oil on canvas, 97 x 158 cm
68858		distraining for rent	1815 oil on panel 81.3x123cm se
43926		Josephine and the Fortune-Teller	1837 Oil on canvas, 211 x 158 cm
64343		mme morel de tangry and her daughters	after 1816 paris, louvre
98311		Portrait of Sam Bough	1778(1778) Medium oil on canvas Dimensions 74.9 x 62.2 cm cyf
62452		Queen Victoria	1840 Oil on canvas Private collection Author: WILKIE, Sir David Title: Queen Victoria (detail) Form: painting , 1801-1850 , Scottish , portrait
33927		Reading the Will	mk87 1820 Oil on panel 76x115cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
40662		Reading the Will	mk156 1820 Oil on canvas 76x115cm
70531		Reading the Will	Medium Oil on canvas Dimensions Expression error: Missing operand for *76 ?? 115 cm
21442		Reading the Will (mk09)	1820 Oil on panel,76 x 115 cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
56176		self portrait	mk247 1804,oil on canvas,30x25 in,76x63 cm,national gallery of scotland,edinburgh,uk
61613		Self portrait of Sir David Wilkie aged about 20	Self portrait of Sir David Wilkie aged about 20
61614		Sir David Wilkie flattering portrait of the kilted King George IV for the Visit of King George IV to Scotland, with lighting chosen to tone down the b	Sir David Wilkie's flattering portrait of the kilted King George IV for the Visit of King George IV to Scotland, with lighting chosen to tone down the brightness of his kilt and his knees shown bare, without the pink tights he wore at the event.
52548		Sotiri, Dragoman of Mr Colquhoun	1840 Watercolour, gouache and oil over pencil, 475 x 328 mm
45946		Tempera undated one Standing by a Horse	mk178 on paper 27.3x19.7cm
564		The Blind Fiddler	1806 Tate Gallery, London
68844		the blind fiddler	1806 oil on panel 57.8x79.4cm se
24037		The Defence of Saragossa (mk25)	1828
68891		the entrance of george iv at holyrood house	1822-9 oil on panel 126x198.1cm se
24046		THe First Council of Queen Victoria (mk25)	1838
563		The Letter of Introduction	1813 National Gallery of Scotland, Edinburgh
23535		The Letter of Introduction (nn03)	1813 Oil on panel 61 x 50 cm 24 x 19 3/4 in National Gallery of Scotland Edinburgh
24280		The Penny Wedding (mk25)	1818
28150		The Refusal from Burns's Song of 'Duncan Gray'	1814 Oil on wood 62.8 x 51.7 cm (24 3/4 x 20 3/8 in) Victoria and Albort Museum London (mk63)
90757		Victoria holding a Privy Council meeting	1838 (Public Domain by age). Oil on canvas. cjr
27886		William IV	1833 Oil on canvas 267 x 173 cm(105 1/8 x 68 1/8 in)Wellington Museum,Apsley House London (mk63)

Sir David Wilkie
1785-1841 British Sir David Wilkie Galleries Wilkie may have inherited his rectitude and tenacity, even his nervous inhibitions, from his father, the minister of his native parish. Though little responsive to schooling, he showed an early inclination towards mimicry that expressed itself in drawings, chiefly of human activity. In these he was influenced by a copy of Allan Ramsay pastoral comedy in verse, the Gentle Shepherd (1725), illustrated by David Allan in 1788. One of the few surviving examples of his early drawings represents a scene from it (c. 1797; Kirkcaldy, Fife, Mus. A.G.). Wilkie cherished the demotic spirit of this book and its illustrations throughout his life.